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HIGH PASS FILTER IMAGE PROCESSING - HIGH PASS FILTER


High Pass Filter Image Processing - Cabin Air Filter Location.



High Pass Filter Image Processing





high pass filter image processing






    image processing
  • In electrical engineering and computer science, image processing is any form of signal processing for which the input is an image, such as a photograph or video frame; the output of image processing may be either an image or, a set of characteristics or parameters related to the image.

  • The analysis and manipulation of a digitized image, esp. in order to improve its quality

  • The alteration or manipulation of images that have been scanned or captured by a digital recording device.

  • enhancing and manipulating an image, such as by adjusting its size, resolution, or color palette.





    pass filter
  • A band-pass filter is a device that passes frequencies within a certain range and rejects (attenuates) frequencies outside that range. An example of an analogue electronic band-pass filter is an RLC circuit (a resistor–inductor–capacitor circuit).





    high
  • a lofty level or position or degree; "summer temperatures reached an all-time high"

  • at a great altitude; "he climbed high on the ladder"

  • A high point, level, or figure

  • greater than normal in degree or intensity or amount; "a high temperature"; "a high price"; "the high point of his career"; "high risks"; "has high hopes"; "the river is high"; "he has a high opinion of himself"

  • A notably happy or successful moment

  • A high-frequency sound or musical note











high pass filter image processing - New Canon




New Canon EOS 5D Mark II 21.1 Megapixel Digital SLR Camera Body Full-Frame CMOS Sensor


New Canon EOS 5D Mark II 21.1 Megapixel Digital SLR Camera Body Full-Frame CMOS Sensor



Color Temperature Compensation White balance correction- tops in full-stop increments, White balance bracketing- tops in full-stop increments; Blue/amber direction or magenta/green direction possible. Color Temperature Information Transmission Provided. Viewfinder Type Eye-level pentaprism. Coverage Vertical/Horizontal approx. 98%. Magnification Approx. 0.71x (-1m-1 with 50mm lens at infinity). Eyepoint Approx. 21mm (from eyepiece lens center). Built-in Dioptric Adjustment -3.0 to +1.0m-1 (diopter). Focusing Screen Interchangeable (Eg-D- Grid lines, Eg-S [point of Focus], Eg-A standard focusing screen provided. Mirror Quick-return half mirror (transmission. Depth-of-Field Preview Enabled with depth-of-field preview button. Autofocus Type TTL-CT-SIR AF-dedicated CMOS sensor. AF Points 9 AF Points (1 Cross Type) + 6 AF Assist Points. Metering Range EV -0.5-18. Focusing Modes Auto, One-Shot AF, Predictive AI Servo AF, AI Focus AF, Manual focusing (MF). AF Point Selection Automatic selection, manual selection. Selected AF Point Display Superimposed in viewfinder and indicated on LCD panel. AF-assist Beam When an external EOS-dedicated Speedlite is attached to the camera, the AF-assist beam from the Speedlite will be emitted when necessary. Metering Modes 35-zone TTL full-aperture metering Evaluative metering (linkable to any AF point) Partial metering (approx. 8% of viewfinder at center) Spot metering (approx. 3.5% of viewfinder at center) Center-weighted average metering. Metering Range EV 1-20. Exposure Control Program AE (Shiftable), Shutter-priority AE, Aperture-priority AE, Creative Auto, Full auto, Manual exposure, E-TTL II autoflash program AE. ISO Speed (Recommended Exposure Index) ISO 100-6400 (in 1/3-stop or 1-stop increments), ISO 100-3200 set automatically, Extension settable (with C.Fn.I-3-1)- ISO 50 (L), 12800 (H1), 25600 (H2); High Tone Priority settable- ISO 200-6400.










83% (9)





Snap VIP 5




Snap VIP 5





Ok, since a couple of you have asked.. here is my processing break down on this one.
First, let me say my friend Glenn T. suggested that I try some new lighting techniques and try to work out some more dramatic shadows.. With that in mind these were shot with just my sigma shoe flash bounced straight up.
I always start with the eyes.
Mask and copy the iris to a new layer and set to screen.
Dodge and burn the screen layer to diverse the coloring.
Paste iris again on 3rd layer, set to "overlay" and run a high pass filter on it.. really makes them pop!
Then I masked and copied all the shiny things! Bracelet, rings, earings and such and pasted to a 4th layer set to "overlay" with a high strength HP filter, makes them stand out and shine.
Duplicate the background layer and run noise ninja to smooth it out some, around "10"..
Then Erase @ 50% the areas I don't want smooth like hair and wall texture.
Merge the smooth layer with background, then duplicate and set to "soft light" to enhance shadow and color.. I usually run the "shadow / highlight" to bring some light back in...
Duplicate the background 1 more time and run lucisart to enhance texture on the walls and chair, then erase the model from this layer so she shows through smooth.
That's about it so far as I can recall.. I process everything differently and feel my way through till I'm happy with the image.
Hope that helps! ;-)











Straw Bale




Straw Bale





Whilst out in the car I chanced across this wheat field dotted with round bales of straw. Luckily I had the camera with me and so I quickly took some shots before the storm broke. Minutes after this shot was taken the rain arrived, accompanied by the odd clap of thunder - and so summer departs in style! This image has been subjected to quite a lot of post-processing, mainly due to the poor light creating drab colours. The image was initially blended with a high pass layer, and then was followed immediately by an overlay of a duplicate layer. Thereafter a few adjustments with contrast and exposure were made to bring out the remaining detail in the sky, and finally a warm filter was added to blend the sky and the land together. It is quite a bold shot and will not appeal to everyone, but it is one that I am especially pleased with :-)









high pass filter image processing








high pass filter image processing




New-EOS Rebel T2i 18Megapixel Digital SLR Body - CANT2IBD






The new flagship of the EOS Rebel line, Canon EOS Rebel T2i brings professional EOS features into an easy to use, lightweight digital SLR that's a joy to use. Featuring a class-leading 18.0 Megapixel CMOS Image Sensor and increased light sensitivity for low light photography, the EOS Rebel T2i also has an advanced HD Movie mode for gorgeous Full HD movies. Able to capture up to 3.7 frames per second, it's ready to go the minute it's picked up. Advanced Live View, a new wide-area screen, plus features like Canon's brilliant Auto Lighting Optimizer and Highlight Tone features ensure brilliant photos and movies, easily. With some of the most advanced features of any digital SLR, it's simply the best Rebel Canon has ever created.



18.0 Megapixel CMOS (APS-C) sensor and DIGIC 4 Image Processor for high image quality and speed.


ISO 100-6400 (expandable to 12800) for shooting from bright to dim light.


Improved EOS Movie mode with manual exposure control, expanded recording, new Movie Crop recording in 640 x 480 and external microphone IN terminal for access to improved sound quality.


Enhanced iFCL 63-zone, Dual-layer metering system; and 9-point AF system utilizing a high-precision, f/2.8 cross-type center point.


Wide 3.0-inch (3:2 aspect ratio) Clear View LCD monitor (1.04 million dots) for improved viewing.


New Quick Control Screen button for easy access to frequently used settings.


Improved layout with dedicated Live View/Movie shooting button.


New compatibility with SDXC memory cards, plus new menu status indicator for Eye-Fi* support.


3.7 fps continuous shooting up to approximately 34 JPEGs or approximately 6 RAW.


Compatible with the full line of Canon EF and EF-S lenses.










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